One the eve of Valentine’s Day, we asked our experts from the Remodelista Architect and Designer Directory for their go-to “millennial pink” paints. Their picks range from sweet and subtle to downright seductive, and neutral enough to look at year-round. Here are their favorites.
Photography by Mel Walbridge.
(N.B.: Featured photograph, above, by Justine Hand for Remodelista, from Cape Cod Summer Bedrooms Refreshed with Farrow & Ball Paint.)
Not pictured: Marie Fisher Interior Design uses Rose Pále from Les Couleurs’ Le Corbusier collection of pigments.
For more on our top paint picks, head to our Palette & Paints tag page. And for more pink palettes, see:
Up ’til now, I admit, I’ve much preferred earthier colors—for wearing and for interiors—than what I’ve always thought of as somewhat frilly, not-me pink. But lately I’ve surprised myself by being rather drawn to it: There’s a slew of pinks out there to love—not all of them bubblegum or tutu—from dusty mauve to soft salmon to just barely barely pink. And, contrary to my previous (maybe popular) belief, pink in interiors needn’t be fussy, or young-looking: It can be bold, romantic, playful, unexpected, even a little cheeky.
Proof? Just take a look at these bedrooms—some with just a touch of pink, others dressed head to toe—that I’m seeing in new light.
Psst: We’ve rounded up our favorite pink rooms elsewhere in the house—and paints, too—here:
What happens when two young architects get to be their own clients? Budget constraints are, of course, a given–so things like learning how to hang wallpaper come into play. So does treating the house as a treasure hunt, and finding out what’s hiding under the carpets and painted mantels. And, of course, experimenting yourself with the transformative power of paint.
That’s but a sampling of what took place when, after a year of real estate hunting, Andrea Fisk and her partner, James Klauder, got to overhaul their own late-19th century townhouse in Brooklyn’s Bushwick. “The structure had been barely altered since it was built, which was very appealing to us,” says Andrea, pointing out its original plaster crown moldings, Eastlake-style door and window frames, and lavishly carved stair. But there was also much to do, including flipping the arrangement of the floors: to help pay their mortgage, the couple turned the garden level into a rental apartment. They restored the parlor floor as a living space—it had previously been divided into bedrooms—and reinstated bedrooms on the top floor.
Andrea is co-founder with Jess Thomas of Shapeless Studio, a rising Brooklyn firm with a focus on residential work, and James specializes transportation and aviation designs at Gensler. So Andrea took the lead on the project, and, as with Jess’s own place—see The Sentimental Minimalist—the results serve as a showcase for the work they can do. Come see.
Photography by Hagan Hinshaw of Blurry Hinge, courtesy of Shapeless Studio.
Above L: The couple tiled the entry in a pattern called Agadir from the Cement Tile Shop and painted the walls and door in Benjamin Moore Arctic Seal: “lighter colors make boundaries more visible, so going with a dark color in a small space can have the effect of dematerializing the volume of the room,” explains James. Above R: A glimpse of the living room.”During the construction, we found a funny foundation block signed ‘Sam, Mike, Mickey, 1891,’ so we think they were the builders,” says Andrea, adding “1891 makes sense because we have Eastlake Victorian details and also some touches of Arts & Crafts, and that year was right on the verge between those styles.”
“We were first-time homeowners and right after our closing, I went down a rabbit hole of trying to learn everything I could about our house’s history. It’s so much older than we are and has seen several generations of New Yorkers come and go; I felt as if we had to respect that. In the 1900 census, the house was owned by a husband and wife who had been born in Ireland; they had five adult daughters and a son living with them, all of whom worked as bookkeepers and dressmakers. By 1940, there was a different family of six, and the father was a watchman for WPA projects. We’re excited to be part of the house’s story.”
Above: For Andrea the most magical moment of the renovation was “early on, when we stripped dozens of layers of paint from the three original fireplace mantels and a gorgeous green and pink slate emerged. This uncovered stone became the inspiration for our color palette: deep greens, dusty pinks, and cool grays.”
The room is painted Benjamin Moore Lost Locket—and note that that includes the ceiling and crown moldings for an immersive effect. For cohesion throughout, the window and door frames are called out in white. All of the house’s paints are from Benjamin Moore’s Color Stories collection from its Aura line
Above: The room is flooded with natural light thanks to its 7.6-foot-tall, 6-foot-wide window. “We wanted our furniture to have a very casual feeling; it gets constantly moved around depending on what we’re doing,” says Andrea. The Large Gray Round Pouf is by Ferm Living, and the Dune Sofa is from Industry West. The shelving is CB2’s Stairway Bookcase.
Above L: The nuanced color of the slate mantels and their plant motifs served as inspiration for the whole remodel. Above R: The sofa is upholstered in green velvet.
Above: The aforementioned crash course in wallpapering was for the powder room, now cloaked in Cole & Son’s exuberant Singita pattern, one of the first elements selected for the house and an encapsulation of the colors used throughout. “Wallpapering is hard work,” says Andrea. “We would hang two panels and then stop for the day; I think it took us six weeks to finish.”
The “self-rimming” sink is the Yeni Klasik from Nameek’s, and the print is by Brooklyn street artist Pixote.
Above: Each room is painted a different color—”the palette all goes together, but each space has its own character,” explains Andrea. The dusky purple TV room, shown here, is in Benjamin Moore Soho Loft. Hanging above the made-for-lounging Gray Sofa is a screen print called Ellipsis by British artist Dan Hillier. The rug is the Walkabout by Lori Weitzner, a discontinued West Elm design. Above: There’s also a proper dining room divided from the living rooms by pocket doors. “I’m a big fan of separating the dining area from the kitchen when possible,” says Andrea. “I don’t enjoy doing dishes, and I don’t want to look at them while I’m eating.”
This room is in Benjamin Moore Lilac Hush, “which seems to change from blue to pink depending on the lighting,” says Andrea. The rug is an over-dyed vintage Turkish design from Revival Rug in a dark green selected to”help the slate mantel pop, and to also tie the room to the living room’s emerald sofa,” explains Andrea. Ferm Living’s Mingle Table in charcoal linoleum—”we love linoleum”—and DWR’s Note Chairs were selected to ground the space.
Above: The couple added a kitchen to the parlor floor, framed here by moldings painted Benjamin Moore’s Vanilla Milkshake, the color used throughout. They uncovered the pine subfloor by removing layers of vinyl, tile, and carpeting. Above: Shapeless Studio’s go-to millworker, James Harmon of Workshop Brooklyn, built the cabinets, which are painted Benjamin Moore Blacktop and have a soapstone counter and integrated soapstone sink. Andrea says she’s learned to leave the soapstone as is and allow it to develop a patina—”but it’s taking some patience” (see our post Soapstone Counters: Are They Worth It?)
The pull-down faucet is the Delta Trinsic. The backsplash is Daltile’s Keystone Mosaics, a 2-by-4-inch porcelain tile with a slight texture that gets picked out in the light.
Above: The couple saved by supplying Harmon with a detailed set of cabinet drawings, something he’d ordinarily do himself. “But it was risky because if we got a dimension wrong, it would have been our fault,” they say. “James installed them and then we took all of the doors off and painted them.”
The range is the Blomberg 30-inch Pro Style, and the vent, the Prestige Compact Insert, is built into the shelf that runs the length of the room.
Above: “The woodwork on the staircase was one of the reasons we fell in love with the house,” says Andrea. “I hadn’t ever seen a railing like this with all the horizontal pieces.” To highlight its detailing, they painted the walls, as they did the entry, in Benjamin Moore Arctic Seal. Above: The palette shifts to paler shades upstairs. The master bedroom, shown here, is in Benjamin Moore Picket Fence. Says Andrea: “Benjamin Moore’s Aura colors have more pigment—they don’t use any straight white or black to lighten or darken, it’s all pigment, so there are really interesting undertones, especially in the lighter shades.”
Andrea’s father built the bedside tables. The Linen Duvet Cover is from Two Dawson.
Above: The mantel is one of the three that they stripped of many layers of paint”using a horrible, noxious goo.” The pendant light was a Craigslist find.
The room is in the back of the house and overlooks the giant hemlock tree in the yard.
Above: The dresser is West Elm’s Modernist Wood and Lacquer Three-Drawer design, currently available only in a pale wood. Above: Like the entry, the bathroom has a black-and-white floor of Agadir Cement Tile: “If I could change one thing, I would instead go with large-honed slate tile,” Andrea tells us. “After finishing our project, I discovered a few slate companies in Upstate NY and Vermont that sell the exact same green splotchy slate that our fireplaces are made of. That would have been so lovely, especially with the mix of white wall tiles. Sometimes it’s hard being an architect; I am constantly redesigning my surroundings in my mind.” Above: The walls are tiled in Daltile’s Metro Collection squares in a mix of glossy whites. James Harmon fabricated the vanity to the couples’ design; it has a Corian sink by Grifform; all of the black plumbing fixtures are from California Faucets’ Tiburon collection. Above: The west-facing guest room initially served as Shapeless Studio’s office during the firm’s first year. The bed is the Nesttun frame and the shelf is the Fjalkinge, both from Ikea. Above: The small space off the bedroom—where Benjamin Moore Arctic Seal puts in another appearance—is now Andrea’s painting studio. The bedroom’s pale walls are in Benjamin Moore’s Grandma’s China, which, Andrea says, “really glows with orange undertones when the sun sets. On dark and rainy days, it looks a lot more greenish. I love living in a house that seems to experience the same moodiness I do.”
We recently featured a Shapeless Studio Kitchen Designed Around the Keywords ‘Socal’ and ‘Minimal but Warm.’
Here are more architects’ own quarters:
The Strange House in London
A Tree Grows in Brooklyn: Fabr Studio in East Williamsburg
Elizabeth Roberts at Home: The Architect’s Own Beach House in Bellport, NY
Two Young Architects Tackle a Townhouse for Themselves
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